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Five Bodied Forum Index Chart and Image Archive Holy Office Chart
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Tue Oct 30, 2007 10:58 pm
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sixbodied
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monsquaz wrote:
It seems there's a lot to read and interpret, but in fact, the Holy Office Chart is very easy to 'get' once you have an idea of each of the Offices' enhancing values, as well as their own personal natures, if necessary. After that, you can fill in the rest of their tetrads through simple deduction, by squaring them against each other.

To hear Bob explain this process in detail, listen to his Intertextual Dynamics series, which goes over the whole Chart (part 1 – part 2 – part 3).

I'll add some enhancement aspects here, and perhaps some other aspects later.

1. Marshall McLuhan enhances Rhetoric because he details the rhetorical function of media – the MEDIUM is the message, and the CONTENT is the USER.

2. Herbert W. Armstrong enhances Grammar by his emphasizing of etymological research on the words and sentence structure in the Holy Bible, to determine what is actually being said.

3. Lyndon LaRouche enhances Logic by de-emphasizing Rhetoric and Grammar, instead emphasizing a refined message, without so much regard as to how it is said, despite the logician's task being somewhat similar to a grammarian.

4. Frank Zappa enhances Music through his incredible skills as a composer, musician and bandleader.

5. Peter Beter enhances Astronomy with his emphasis on picking out the figures amongst McLuhan's "planetary game" in the mid-70s:
Marshall McLuhan wrote:
Henry Kissinger seems to be the current triggerman in this planetary game among the intervals of first, second, third and fourth worlds, the first world being the industrialized West, the second being Russian Socialism, the third the nonindustrialized lands, and the fourth the electric world that has gone around the rest, becoming the primum mobile of inflation in all the rest.
…not coincidentally, Kissinger was one of Beter's main targets.
LaRouche's logic flips into Beter's astronomy when pushed to its limits, as it can serve the same functions. Look at how LaRouche even picks the same enemy:
Lyndon LaRouche wrote:
The record shows, that for nearly thirty years, elements of the U.S. Department of Justice have been engaged in world-wide political targeting of me and my associates. This includes early 1970s operations run in conjunction with Secretary of State Henry A. Kissinger's U.S. State Department.


6. Mae Brussell enhances Arithmetic with her elaborate, almost mathematical approach to researching media.

7. Finnegans Wake enhances Geometry by figuring in literary form the almost imperceptibly complex geometric nature of visual space that constantly racks the human race.

8. Cosmic Awareness enhances occult interests. It is an entity claiming to be the force of spiritual energy that runs through all things, and is channeled to gleam upon things from an astral perspective.

It flips into Zappa because he never advocated the astral perspective. See also Cosmik Debris.

9. Garrett Deane enhances personal interests – one tends to learn much in a special way from their closest friends and lovers in life, and Garrett was such a friend to Bob.

10. Club 22 enhances social club interests with the first four quadrants on the Tiny Note Chart – which are represented by the numbers 7, 22, 18, and 14. It represents what Bob was involved with in Toronto from the mid-80s to the early 90s on his radio show.
Club 22 is not retrieved by or flipped into any of the other Holy Offices because it encompasses all interests. McLuhan and LaRouche, as heads of two of these quadrants, are Holy Offices that happen to be enhanced and obsolesced (respectively) by Club 22. Instead, its tetrad shows what it does within each of the first four quadrants.


8 is the Dobbs quadrant, just for the sake of going full circle with all the quadrants. It is all of the first four quadrants/environments merged into the "Anthropomorphic Physical" (AP) quadrophrenic/ecstatic state of realizing the human condition, or in the five-body scheme, the Mystery Body.

As you may have deduced, "22/14" is the prominent clash between the states of enhancement and reversal in Club 22.
So, 22/14 can also be another way of describing the Android Meme.

The Anthropomorphic Physical has clashes with the Android Meme on a regular basis, which are called the AM/AP when referring to the AM's coverage of the AP, and AP/AM when referring to the AP position relating itself back to the AM's actions. All four quadrants have their own perspectives on these two phases.


BOB: Excellent summary, mons.

I couldn't agree more.


Bob Dobbs
 
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Sun Dec 02, 2007 11:02 pm
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monsquaz



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The visual geometry of the quadrants' numbers are worthy of note, as well.

8 flipped horizontally is an infinity (∞) - the 90s/00s AP/pentad manager Bob Dobbs, as seen as the owner of the Dobbs quadrant.

22 (like Toronto, 2-run-2) is a very proportionate number, like in the Analogy of Proper Proportionality, which McLuhan talks about in Through the Vanishing Point:

Quote:
"Perhaps the most precious possession of man is his abiding awareness of the Analogy of Proper Proportionality, the key to all metaphysical insight, and perhaps the very condition of consciousness itself. This analogical awareness is constituted of a perpetual play of ratios among ratios. A is to B, what C is to D, which is to say the ratio between A and B, is proportionable to the ratio between C and D, there being a ratio between these ratios, as well, this lively awareness of the most exquisite delicacy depends upon there being no connection whatsoever between the components. If A were linked to B, or C to D, mere logic would take the place of analogical perception, thus one of the penalties paid for literacy and a high visual culture is a strong tendency to encounter all things through a rigorous storyline, as it were. Paradoxically, connected spaces and situations exclude participation, whereas discontinuity affords room for involvement. Visual space is connected and creates detachment or non-involvement. It also tends to exclude the participation of the other senses."


7 was traditionally a lucky number. The Evergreens have said 7's power has diminished and turned into 8. It is broken, pointy (POV/goal-oriented), and non-proportionate; as compared to 8 and 22.

18 is the number for Isis.
Bearing that in mind, the 1 stands for the New Age (Thompson's forte) idea of universal unity.
It is paired with 8 because they attempt to achieve it, but fail at this and remain at 18. The 8 remains vertical, rather than horizontal.

The 1 in 14 represents the unity caused by cloned ESP under Android Meme conditions, and the four is 22 imploded - quadrophrenia.
So, on Bob's old show, Myke Dyer could represent the 1 of the AM's unity (like the New Age unity in the 1 of 18), and Bob the 4 of the quadrophrenia. This is the old 80s AM/tetrad manager Bob Dobbs, as seen on the far right of the Tiny Note Chart as the Bob of the Kroker quadrant.


Last edited by monsquaz on Mon Dec 03, 2007 8:08 pm; edited 1 time in total
 
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Mon Dec 03, 2007 5:57 am
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sixbodied
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monsquaz wrote:
The visual geometry of the quadrants' numbers are worthy of note, as well.

8 flipped horizontally is an infinity (?) - the 90s/00s AP/pentad manager Bob Dobbs, as seen as the owner of the Dobbs quadrant.

22 (like Toronto, 2-run-2) is a very proportionate number, like in the Analogy of Proper Proportionality, which McLuhan talks about in Through the Vanishing Point:

Quote:
"Perhaps the most precious possession of man is his abiding awareness of the Analogy of Proper Proportionality, the key to all metaphysical insight, and perhaps the very condition of consciousness itself. This analogical awareness is constituted of a perpetual play of ratios among ratios. A is to B, what C is to D, which is to say the ratio between A and B, is proportionable to the ratio between C and D, there being a ratio between these ratios, as well, this lively awareness of the most exquisite delicacy depends upon there being no connection whatsoever between the components. If A were linked to B, or C to D, mere logic would take the place of analogical perception, thus one of the penalties paid for literacy and a high visual culture is a strong tendency to encounter all things through a rigorous storyline, as it were. Paradoxically, connected spaces and situations exclude participation, whereas discontinuity affords room for involvement. Visual space is connected and creates detachment or non-involvement. It also tends to exclude the participation of the other senses."


7 was traditionally a lucky number. The Evergreens have said 7's power has diminished and turned into 8. It is broken, pointy (POV/goal-oriented), and non-proportionate; as compared to 8 and 22.

18 is the number for Isis.
Bearing that in mind, the 1 stands for the New Age (Thompson's forte) idea of universal unity.
It is paired with 8 because they attempt to achieve it, but fail at this and remain at 18. The 8 remains vertical, rather than horizontal.

The 1 in 14 represents the unity caused by cloned ESP under Android Meme conditions, and the four is 22 imploded - quadrophrenia.
So, on Bob's old show, Myke Dyer could represent the 1 of the AM's unity (like the New Age unity in the 1 of 1Cool, and Bob the 4 of the quadrophrenia. This is the old 80s AM/tetrad manager Bob Dobbs, as seen on the far right of the Tiny Note Chart as the Bob of the Kroker quadrant.


BOB: I like and agree with this post.

After 22 years it's about time someone explained my "system".

Just sayin'.


Bob Dobbs
 
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